Within a week a suitable building had been secured in the Calle Grande, and Mr. Hemstetter's stock of shoes arranged upon their shelves. The rent of the store was moderate; and the stock made a fine showing of neat white boxes, attractively displayed.
Johnny's friends stood by him loyally. On the first day Keogh strolled into the store in a casual kind of way about once every hour, and bought shoes. After he had purchased a pair each of extension soles, congress gaiters, button kids, low-quartered calfs, dancing pumps, rubber boots, tans of various hues, tennis shoes and flowered slippers, he sought out Johnny to be prompted as to names of other kinds that he might inquire for. The other English-speaking residents also played their parts nobly by buying often and liberally. Keogh was grand marshal, and made them distribute their patronage, thus keeping up a fair run of custom for several days.
Mr. Hemstetter was gratified by the amount of business done thus far; but expressed surprise that the natives were so backward with their custom.
"Oh, they're awfully shy," explained Johnny, as he wiped his forehead nervously. "They'll get the habit pretty soon. They'll come with a rush when they do come."
One afternoon Keogh dropped into the consul's office, chewing an unlighted cigar thoughtfully.
"Got anything up your sleeve?" he inquired of Johnny. "If you have it's about time to show it. If you can borrow some gent's hat in the audience, and make a lot of customers for an idle stock of shoes come out of it, you'd better spiel. The boys have all laid in enough footwear to last 'em ten years; and there's nothing doing in the shoe store but dolcy far nienty. I just came by there. Your venerable victim was standing in the door, gazing through his specs at the bare toes passing by his emporium. The natives here have got the true artistic temperament. Me and Clancy took eighteen tintypes this morning in two hours. There's been but one pair of shoes sold all day. Blanchard went in and bought a pair of fur-lined house-slippers because he thought he saw Miss Hemstetter go into the store. I saw him throw the slippers into the lagoon afterwards."
"There's a Mobile fruit steamer coming in to-morrow or next day," said Johnny. "We can't do anything until then."
"What are you going to do—try to create a demand?"
"Political economy isn't your strong point," said the consul, impudently. "You can't create a demand. But you can create a necessity for a demand. That's what I am going to do."
Two weeks after the consul sent his cable, a fruit steamer brought him a huge, mysterious brown bale of some unknown commodity. Johnny's influence with the custom-house people was sufficiently strong for him to get the goods turned over to him without the usual inspection. He had the bale taken to the consulate and snugly stowed in the back room.
That night he ripped open a corner of it and took out a handful of the cockleburrs. He examined them with the care with which a warrior examines his arms before he goes forth to battle for his lady-love and life. The burrs were the ripe August product, as hard as filberts, and bristling with spines as tough and sharp as needles. Johnny whistled softly a little tune, and went out to find Billy Keogh.
Later in the night, when Coralio was steeped in slumber, he and Billy went forth into the deserted streets with their coats bulging like balloons. All up and down the Calle Grande they went, sowing the sharp burrs carefully in the sand, along the narrow sidewalks, in every foot of grass between the silent houses. And then they took the side streets and by-ways, missing none. No place where the foot of man, woman or child might fall was slighted. Many trips they made to and from the prickly hoard. And then, nearly at the dawn, they laid themselves down to rest calmly, as great generals do after planning a victory according to the revised tactics, and slept, knowing that they had sowed with the accuracy of Satan sowing tares and the perseverance of Paul planting.
With the rising sun came the purveyors of fruits and meats, and arranged their wares in and around the little market-house. At one end of the town near the seashore the market-house stood; and the sowing of the burrs had not been carried that far. The dealers waited long past the hour when their sales usually began. None came to buy. "Qué hay?" they began to exclaim, one to another.
At their accustomed time, from every 'dobe and palm hut and grass-thatched shack and dim patio glided women—black women, brown women, lemon-colored women, women dun and yellow and tawny. They were the marketers starting to purchase the family supply of cassava, plantains, meat, fowls, and tortillas. Décolleté they were and bare-armed and bare-footed, with a single skirt reaching below the knee. Stolid and ox-eyed, they stepped from their doorways into the narrow paths or upon the soft grass of the streets.
The first to emerge uttered ambiguous squeals, and raised one foot quickly. Another step and they sat down, with shrill cries of alarm, to pick at the new and painful insects that had stung them upon the feet. "Qué picadores diablos!" they screeched to one another across the narrow ways. Some tried the grass instead of the paths, but there they were also stung and bitten by the strange little prickly balls. They plumped down in the grass, and added their lamentations to those of their sisters in the sandy paths. All through the town was heard the plaint of the feminine jabber. The venders in the market still wondered why no customers came.
Then men, lords of the earth, came forth. They, too, began to hop, to dance, to limp, and to curse. They stood stranded and foolish, or stooped to pluck at the scourge that attacked their feet and ankles. Some loudly proclaimed the pest to be poisonous spiders of an unknown species.
And then the children ran out for their morning romp. And now to the uproar was added the howls of limping infants and cockleburred childhood. Every minute the advancing day brought forth fresh victims.
Doña Maria Castillas y Buenventura de las Casas stepped from her honoured doorway, as was her daily custom, to procure fresh bread from the panaderia across the street. She was clad in a skirt of flowered yellow satin, a chemise of ruffled linen, and wore a purple mantilla from the looms of Spain. Her lemon-tinted feet, alas! were bare. Her progress was majestic, for were not her ancestors hidalgos of Aragon? Three steps she made across the velvety grass, and set her aristocratic sole upon a bunch of Johnny's burrs. Doña Maria Castillas y Buenventura de las Casas emitted a yowl even as a wild-cat. Turning about, she fell upon hands and knees, and crawled—ay, like a beast of the field she crawled back to her honourable door-sill.
Don Señor Ildefonso Federico Valdazar, Juez de la Paz, weighing twenty stone, attempted to convey his bulk to the pulperia at the corner of the plaza in order to assuage his matutinal thirst. The first plunge of his unshod foot into the cool grass struck a concealed mine. Don Ildefonso fell like a crumpled cathedral, crying out that he had been fatally bitten by a deadly scorpion. Everywhere were the shoeless citizens hopping, stumbling, limping, and picking from their feet the venomous insects that had come in a single night to harass them.
The first to perceive the remedy was Estebán Delgado, the barber, a man of travel and education. Sitting upon a stone, he plucked burrs from his toes, and made oration:
"Behold, my friends, these bugs of the devil! I know them well. They soar through the skies in swarms like pigeons. These are the dead ones that fell during the night. In Yucatan I have seen them as large as oranges. Yes! There they hiss like serpents, and have wings like bats. It is the shoes—the shoes that one needs! Zapatos—zapatos para mi!"
Estebán hobbled to Mr. Hemstetter's store, and bought shoes. Coming out, he swaggered down the street with impunity, reviling loudly the bugs of the devil. The suffering ones sat up or stood upon one foot and beheld the immune barber. Men, women and children took up the cry: "Zapatos! zapatos!"
The necessity for the demand had been created. The demand followed. That day Mr. Hemstetter sold three hundred pairs of shoes.
"It is really surprising," he said to Johnny, who came up in the evening to help him straighten out the stock, "how trade is picking up. Yesterday I made but three sales."
"I told you they'd whoop things up when they got started," said the consul.
"I think I shall order a dozen more cases of goods, to keep the stock up," said Mr. Hemstetter, beaming through his spectacles.
"I wouldn't send in any orders yet," advised Johnny. "Wait till you see how the trade holds up."
Each night Johnny and Keogh sowed the crop that grew dollars by day. At the end of ten days two-thirds of the stock of shoes had been sold; and the stock of cockleburrs was exhausted. Johnny cabled to Pink Dawson for another 500 pounds, paying twenty cents per pound as before. Mr. Hemstetter carefully made up an order for $1500 worth of shoes from Northern firms. Johnny hung about the store until this order was ready for the mail, and succeeded in destroying it before it reached the postoffice.
That night he took Rosine under the mango tree by Goodwin's porch, and confessed everything. She looked him in the eye, and said: "You are a very wicked man. Father and I will go back home. You say it was a joke? I think it is a very serious matter."
But at the end of half an hour's argument the conversation had been turned upon a different subject. The two were considering the respective merits of pale blue and pink wall paper with which the old colonial mansion of the Atwoods in Dalesburg was to be decorated after the wedding.
On the next morning Johnny confessed to Mr. Hemstetter. The shoe merchant put on his spectacles, and said through them: "You strike me as being a most extraordinary young scamp. If I had not managed this enterprise with good business judgment my entire stock of goods might have been a complete loss. Now, how do you propose to dispose of the rest of it?"
When the second invoice of cockleburrs arrived Johnny loaded them and the remainder of the shoes into a schooner, and sailed down the coast to Alazan.
There, in the same dark and diabolical manner, he repeated his success; and came back with a bag of money and not so much as a shoestring.
And then he besought his great Uncle of the waving goatee and starred vest to accept his resignation, for the lotus no longer lured him. He hankered for the spinach and cress of Dalesburg.
The services of Mr. William Terence Keogh as acting consul, pro tem., were suggested and accepted, and Johnny sailed with the Hemstetters back to his native shores.
Keogh slipped into the sinecure of the American consulship with the ease that never left him even in such high places. The tintype establishment was soon to become a thing of the past, although its deadly work along the peaceful and helpless Spanish Main was never effaced. The restless partners were about to be off again, scouting ahead of the slow ranks of Fortune. But now they would take different ways. There were rumours of a promising uprising in Peru; and thither the martial Clancy would turn his adventurous steps. As for Keogh, he was figuring in his mind and on quires of Government letter-heads a scheme that dwarfed the art of misrepresenting the human countenance upon tin.
"What suits me," Keogh used to say, "in the way of a business proposition is something diversified that looks like a longer shot than it is—something in the way of a genteel graft that isn't worked enough for the correspondence schools to be teaching it by mail. I take the long end; but I like to have at least as good a chance to win as a man learning to play poker on an ocean steamer, or running for governor of Texas on the Republican ticket. And when I cash in my winnings, I don't want to find any widows' and orphans' chips in my stack."
The grass-grown globe was the green table on which Keogh gambled. The games he played were of his own invention. He was no grubber after the diffident dollar. Nor did he care to follow it with horn and hounds. Rather he loved to coax it with egregious and brilliant flies from its habitat in the waters of strange streams. Yet Keogh was a business man; and his schemes, in spite of their singularity, were as solidly set as the plans of a building contractor. In Arthur's time Sir William Keogh would have been a Knight of the Round Table. In these modern days he rides abroad, seeking the Graft instead of the Grail.
Three days after Johnny's departure, two small schooners appeared off Coralio. After some delay a boat put off from one of them, and brought a sunburned young man ashore. This young man had a shrewd and calculating eye; and he gazed with amazement at the strange things that he saw. He found on the beach some one who directed him to the consul's office; and thither he made his way at a nervous gait.
Keogh was sprawled in the official chair, drawing caricatures of his Uncle's head on an official pad of paper. He looked up at his visitor.
"Where's Johnny Atwood?" inquired the sunburned young man, in a business tone.
"Gone," said Keogh, working carefully at Uncle Sam's necktie.
"That's just like him," remarked the nut-brown one, leaning against the table. "He always was a fellow to gallivant around instead of 'tending to business. Will he be in soon?"
"Don't think so," said Keogh, after a fair amount of deliberation.
"I s'pose he's out at some of his tomfoolery," conjectured the visitor, in a tone of virtuous conviction. "Johnny never would stick to anything long enough to succeed. I wonder how he manages to run his business here, and never be 'round to look after it."
"I'm looking after the business just now," admitted the pro tem. consul.
"Are you—then, say!—where's the factory?"
"What factory?" asked Keogh, with a mildly polite interest.
"Why, the factory where they use them cockleburrs. Lord knows what they use 'em for, anyway! I've got the basements of both them ships out there loaded with 'em. I'll give you a bargain in this lot. I've had every man, woman and child around Dalesburg that wasn't busy pickin' 'em for a month. I hired these ships to bring 'em over. Everybody thought I was crazy. Now, you can have this lot for fifteen cents a pound, delivered on land. And if you want more I guess old Alabam' can come up to the demand. Johnny told me when he left home that if he struck anything down here that there was any money in he'd let me in on it. Shall I drive the ships in and hitch?"
A look of supreme, almost incredulous, delight dawned in Keogh's ruddy countenance. He dropped his pencil. His eyes turned upon the sunburned young man with joy in them mingled with fear lest his ecstasy should prove a dream.
"For God's sake, tell me," said Keogh, earnestly, "are you Dink Pawson?"
"My name is Pinkney Dawson," said the cornerer of the cockleburr market.
Billy Keogh slid rapturously and gently from his chair to his favourite strip of matting on the floor.
There were not many sounds in Coralio on that sultry afternoon. Among those that were may be mentioned a noise of enraptured and unrighteous laughter from a prostrate Irish-American, while a sunburned young man, with a shrewd eye, looked on him with wonder and amazement. Also the "tramp, tramp, tramp" of many well-shod feet in the streets outside. Also the lonesome wash of the waves that beat along the historic shores of the Spanish Main.
XIV. MASTERS OF ARTS
A two-inch stub of a blue pencil was the wand with which Keogh performed the preliminary acts of his magic. So, with this he covered paper with diagrams and figures while he waited for the United States of America to send down to Coralio a successor to Atwood, resigned.
The new scheme that his mind had conceived, his stout heart indorsed, and his blue pencil corroborated, was laid around the characteristics and human frailties of the new president of Anchuria. These characteristics, and the situation out of which Keogh hoped to wrest a golden tribute, deserve chronicling contributive to the clear order of events.
President Losada—many called him Dictator—was a man whose genius would have made him conspicuous even among Anglo-Saxons, had not that genius been intermixed with other traits that were petty and subversive. He had some of the lofty patriotism of Washington (the man he most admired), the force of Napoleon, and much of the wisdom of the sages. These characteristics might have justified him in the assumption of the title of "The Illustrious Liberator," had they not been accompanied by a stupendous and amazing vanity that kept him in the less worthy ranks of the dictators.
Yet he did his country great service. With a mighty grasp he shook it nearly free from the shackles of ignorance and sloth and the vermin that fed upon it, and all but made it a power in the council of nations. He established schools and hospitals, built roads, bridges, railroads and palaces, and bestowed generous subsidies upon the arts and sciences. He was the absolute despot and the idol of his people. The wealth of the country poured into his hands. Other presidents had been rapacious without reason. Losada amassed enormous wealth, but his people had their share of the benefits.
The joint in his armour was his insatiate passion for monuments and tokens commemorating his glory. In every town he caused to be erected statues of himself bearing legends in praise of his greatness. In the walls of every public edifice, tablets were fixed reciting his splendour and the gratitude of his subjects. His statuettes and portraits were scattered throughout the land in every house and hut. One of the sycophants in his court painted him as St. John, with a halo and a train of attendants in full uniform. Losada saw nothing incongruous in this picture, and had it hung in a church in the capital. He ordered from a French sculptor a marble group including himself with Napoleon, Alexander the Great, and one or two others whom he deemed worthy of the honour.
He ransacked Europe for decorations, employing policy, money and intrigue to cajole the orders he coveted from kings and rulers. On state occasions his breast was covered from shoulder to shoulder with crosses, stars, golden roses, medals and ribbons. It was said that the man who could contrive for him a new decoration, or invent some new method of extolling his greatness, might plunge a hand deep into the treasury.
This was the man upon whom Billy Keogh had his eye. The gentle buccaneer had observed the rain of favors that fell upon those who ministered to the president's vanities, and he did not deem it his duty to hoist his umbrella against the scattering drops of liquid fortune.
In a few weeks the new consul arrived, releasing Keogh from his temporary duties. He was a young man fresh from college, who lived for botany alone. The consulate at Coralio gave him the opportunity to study tropical flora. He wore smoked glasses, and carried a green umbrella. He filled the cool, back porch of the consulate with plants and specimens so that space for a bottle and chair was not to be found. Keogh gazed on him sadly, but without rancour, and began to pack his gripsack. For his new plot against stagnation along the Spanish Main required of him a voyage overseas.
Soon came the Karlsefin again—she of the trampish habits—gleaning a cargo of cocoanuts for a speculative descent upon the New York market. Keogh was booked for a passage on the return trip.
"Yes, I'm going to New York," he explained to the group of his countrymen that had gathered on the beach to see him off. "But I'll be back before you miss me. I've undertaken the art education of this piebald country, and I'm not the man to desert it while it's in the early throes of tintypes."
With this mysterious declaration of his intentions Keogh boarded the Karlsefin.
Ten days later, shivering, with the collar of his thin coat turned high, he burst into the studio of Carolus White at the top of a tall building in Tenth Street, New York City.
Carolus White was smoking a cigarette and frying sausages over an oil stove. He was only twenty-three, and had noble theories about art.
"Billy Keogh!" exclaimed White, extending the hand that was not busy with the frying pan. "From what part of the uncivilized world, I wonder!"
"Hello, Carry," said Keogh, dragging forward a stool, and holding his fingers close to the stove. "I'm glad I found you so soon. I've been looking for you all day in the directories and art galleries. The free-lunch man on the corner told me where you were, quick. I was sure you'd be painting pictures yet."
Keogh glanced about the studio with the shrewd eye of a connoisseur in business.
"Yes, you can do it," he declared, with many gentle nods of his head. "That big one in the corner with the angels and green clouds and band-wagon is just the sort of thing we want. What would you call that, Carry—scene from Coney Island, ain't it?"
"That," said White, "I had intended to call 'The Translation of Elijah,' but you may be nearer right than I am."
"Name doesn't matter," said Keogh, largely; "it's the frame and the varieties of paint that does the trick. Now, I can tell you in a minute what I want. I've come on a little voyage of two thousand miles to take you in with me on a scheme. I thought of you as soon as the scheme showed itself to me. How would you like to go back with me and paint a picture? Ninety days for the trip, and five thousand dollars for the job."
"Cereal food or hair-tonic posters?" asked White.
"It isn't an ad."
"What kind of a picture is it to be?"
"It's a long story," said Keogh.
"Go ahead with it. If you don't mind, while you talk I'll just keep my eye on these sausages. Let 'em get one shade deeper than a Vandyke brown and you spoil 'em."
Keogh explained his project. They were to return to Coralio, where White was to pose as a distinguished American portrait painter who was touring in the tropics as a relaxation from his arduous and remunerative professional labours. It was not an unreasonable hope, even to those who had trod in the beaten paths of business, that an artist with so much prestige might secure a commission to perpetuate upon canvas the lineaments of the president, and secure a share of the pesos that were raining upon the caterers to his weaknesses.
Keogh had set his price at ten thousand dollars. Artists had been paid more for portraits. He and White were to share the expenses of the trip, and divide the possible profits. Thus he laid the scheme before White, whom he had known in the West before one declared for Art and the other became a Bedouin.
Before long the two machinators abandoned the rigour of the bare studio for a snug corner of a café. There they sat far into the night, with old envelopes and Keogh's stub of blue pencil between them.
At twelve o'clock White doubled up in his chair, with his chin on his fist, and shut his eyes at the unbeautiful wall-paper.
"I'll go you, Billy," he said, in the quiet tones of decision. "I've got two or three hundred saved up for sausages and rent; and I'll take the chance with you. Five thousand! It will give me two years in Paris and one in Italy. I'll begin to pack to-morrow."
"You'll begin in ten minutes," said Keogh. "It's to-morrow now. The Karlsefin starts back at four P.M. Come on to your painting shop, and I'll help you."
For five months in the year Coralio is the Newport of Anchuria. Then only does the town possess life. From November to March it is practically the seat of government. The president with his official family sojourns there; and society follows him. The pleasure-loving people make the season one long holiday of amusement and rejoicing. Fiestas, balls, games, sea bathing, processions and small theatres contribute to their enjoyment. The famous Swiss band from the capital plays in the little plaza every evening, while the fourteen carriages and vehicles in the town circle in funereal but complacent procession. Indians from the interior mountains, looking like prehistoric stone idols, come down to peddle their handiwork in the streets. The people throng the narrow ways, a chattering, happy, careless stream of buoyant humanity. Preposterous children rigged out with the shortest of ballet skirts and gilt wings, howl, underfoot, among the effervescent crowds. Especially is the arrival of the presidential party, at the opening of the season, attended with pomp, show and patriotic demonstrations of enthusiasm and delight.
When Keogh and White reached their destination, on the return trip of the Karlsefin, the gay winter season was well begun. As they stepped upon the beach they could hear the band playing in the plaza. The village maidens, with fireflies already fixed in their dark locks, were gliding, barefoot and coy-eyed, along the paths. Dandies in white linen, swinging their canes, were beginning their seductive strolls. The air was full of human essence, of artificial enticement, of coquetry, indolence, pleasure—the man-made sense of existence.
The first two or three days after their arrival were spent in preliminaries. Keogh escorted the artist about town, introducing him to the little circle of English-speaking residents and pulling whatever wires he could to effect the spreading of White's fame as a painter. And then Keogh planned a more spectacular demonstration of the idea he wished to keep before the public.
He and White engaged rooms in the Hotel de los Estranjeros. The two were clad in new suits of immaculate duck, with American straw hats, and carried canes of remarkable uniqueness and inutility. Few caballeros in Coralio—even the gorgeously uniformed officers of the Anchurian army—were as conspicuous for ease and elegance of demeanour as Keogh and his friend, the great American painter, Señor White.
White set up his easel on the beach and made striking sketches of the mountain and sea views. The native population formed at his rear in a vast, chattering semicircle to watch his work. Keogh, with his care for details, had arranged for himself a pose which he carried out with fidelity. His rôle was that of friend to the great artist, a man of affairs and leisure. The visible emblem of his position was a pocket camera.
"For branding the man who owns it," said he, "a genteel dilettante with a bank account and an easy conscience, a steam-yacht ain't in it with a camera. You see a man doing nothing but loafing around making snap-shots, and you know right away he reads up well in 'Bradstreet.' You notice these old millionaire boys—soon as they get through taking everything else in sight they go to taking photographs. People are more impressed by a kodak than they are by a title or a four-carat scarf-pin." So Keogh strolled blandly about Coralio, snapping the scenery and the shrinking señoritas, while White posed conspicuously in the higher regions of art.
Two weeks after their arrival, the scheme began to bear fruit. An aide-de-camp of the president drove to the hotel in a dashing victoria. The president desired that Señor White come to the Casa Morena for an informal interview.
Keogh gripped his pipe tightly between his teeth. "Not a cent less than ten thousand," he said to the artist—"remember the price. And in gold or its equivalent—don't let him stick you with this bargain-counter stuff they call money here."
"Perhaps it isn't that he wants," said White.
"Get out!" said Keogh, with splendid confidence. "I know what he wants. He wants his picture painted by the celebrated young American painter and filibuster now sojourning in his down-trodden country. Off you go."
The victoria sped away with the artist. Keogh walked up and down, puffing great clouds of smoke from his pipe, and waited. In an hour the victoria swept again to the door of the hotel, deposited White, and vanished. The artist dashed up the stairs, three at a step. Keogh stopped smoking, and became a silent interrogation point.
"Landed," exclaimed White, with his boyish face flushed with elation. "Billy, you are a wonder. He wants a picture. I'll tell you all about it. By Heavens! that dictator chap is a corker! He's a dictator clear down to his finger-ends. He's a kind of combination of Julius Cæsar, Lucifer and Chauncey Depew done in sepia. Polite and grim—that's his way. The room I saw him in was about ten acres big, and looked like a Mississippi steamboat with its gilding and mirrors and white paint. He talks English better than I can ever hope to. The matter of the price came up. I mentioned ten thousand. I expected him to call the guard and have me taken out and shot. He didn't move an eyelash. He just waved one of his chestnut hands in a careless way, and said, 'Whatever you say.' I am to go back to-morrow and discuss with him the details of the picture."
Keogh hung his head. Self-abasement was easy to read in his downcast countenance.
"I'm failing, Carry," he said, sorrowfully. "I'm not fit to handle these man's-size schemes any longer. Peddling oranges in a push-cart is about the suitable graft for me. When I said ten thousand, I swear I thought I had sized up that brown man's limit to within two cents. He'd have melted down for fifteen thousand just as easy. Say—Carry—you'll see old man Keogh safe in some nice, quiet idiot asylum, won't you, if he makes a break like that again?"
The Casa Morena, although only one story in height, was a building of brown stone, luxurious as a palace in its interior. It stood on a low hill in a walled garden of splendid tropical flora at the upper edge of Coralio. The next day the president's carriage came again for the artist. Keogh went out for a walk along the beach, where he and his "picture box" were now familiar sights. When he returned to the hotel White was sitting in a steamer-chair on the balcony.
"Well," said Keogh, "did you and His Nibs decide on the kind of a chromo he wants?"
White got up and walked back and forth on the balcony a few times. Then he stopped, and laughed strangely. His face was flushed, and his eyes were bright with a kind of angry amusement.
"Look here, Billy," he said, somewhat roughly, "when you first came to me in my studio and mentioned a picture, I thought you wanted a Smashed Oats or a Hair Tonic poster painted on a range of mountains or the side of a continent. Well, either of those jobs would have been Art in its highest form compared to the one you've steered me against. I can't paint that picture, Billy. You've got to let me out. Let me try to tell you what that barbarian wants. He had it all planned out and even a sketch made of his idea. The old boy doesn't draw badly at all. But, ye goddesses of Art! listen to the monstrosity he expects me to paint. He wants himself in the centre of the canvas, of course. He is to be painted as Jupiter sitting on Olympus, with the clouds at his feet. At one side of him stands George Washington, in full regimentals, with his hand on the president's shoulder. An angel with outstretched wings hovers overhead, and is placing a laurel wreath on the president's head, crowning him—Queen of the May, I suppose. In the background is to be cannon, more angels and soldiers. The man who would paint that picture would have to have the soul of a dog, and would deserve to go down into oblivion without even a tin can tied to his tail to sound his memory."
Little beads of moisture crept out all over Billy Keogh's brow. The stub of his blue pencil had not figured out a contingency like this. The machinery of his plan had run with flattering smoothness until now. He dragged another chair upon the balcony, and got White back to his seat. He lit his pipe with apparent calm.
"Now, sonny," he said, with gentle grimness, "you and me will have an Art to Art talk. You've got your art and I've got mine. Yours is the real Pierian stuff that turns up its nose at bock-beer signs and oleographs of the Old Mill. Mine's the art of Business. This was my scheme, and it worked out like two-and-two. Paint that president man as Old King Cole, or Venus, or a landscape, or a fresco, or a bunch of lilies, or anything he thinks he looks like. But get the paint on the canvas and collect the spoils. You wouldn't throw me down, Carry, at this stage of the game. Think of that ten thousand."
"I can't help thinking of it," said White, "and that's what hurts. I'm tempted to throw every ideal I ever had down in the mire, and steep my soul in infamy by painting that picture. That five thousand meant three years of foreign study to me, and I'd almost sell my soul for that."
"Now it ain't as bad as that," said Keogh, soothingly. "It's a business proposition. It's so much paint and time against money. I don't fall in with your idea that that picture would so everlastingly jolt the art side of the question. George Washington was all right, you know, and nobody could say a word against the angel. I don't think so bad of that group. If you was to give Jupiter a pair of epaulets and a sword, and kind of work the clouds around to look like a blackberry patch, it wouldn't make such a bad battle scene. Why, if we hadn't already settled on the price, he ought to pay an extra thousand for Washington, and the angel ought to raise it five hundred."
"You don't understand, Billy," said White, with an uneasy laugh. "Some of us fellows who try to paint have big notions about Art. I wanted to paint a picture some day that people would stand before and forget that it was made of paint. I wanted it to creep into them like a bar of music and mushroom there like a soft bullet. And I wanted 'em to go away and ask, 'What else has he done?' And I didn't want 'em to find a thing; not a portrait nor a magazine cover nor an illustration nor a drawing of a girl—nothing but the picture. That's why I've lived on fried sausages, and tried to keep true to myself. I persuaded myself to do this portrait for the chance it might give me to study abroad. But this howling, screaming caricature! Good Lord! can't you see how it is?"
"Sure," said Keogh, as tenderly as he would have spoken to a child, and he laid a long forefinger on White's knee. "I see. It's bad to have your art all slugged up like that. I know. You wanted to paint a big thing like the panorama of the battle of Gettysburg. But let me kalsomine you a little mental sketch to consider. Up to date we're out $385.50 on this scheme. Our capital took every cent both of us could raise. We've got about enough left to get back to New York on. I need my share of that ten thousand. I want to work a copper deal in Idaho, and make a hundred thousand. That's the business end of the thing. Come down off your art perch, Carry, and let's land that hatful of dollars."
"Billy," said White, with an effort, "I'll try. I won't say I'll do it, but I'll try. I'll go at it, and put it through if I can."
"That's business," said Keogh heartily. "Good boy! Now, here's another thing—rush that picture—crowd it through as quick as you can. Get a couple of boys to help you mix the paint if necessary. I've picked up some pointers around town. The people here are beginning to get sick of Mr. President. They say he's been too free with concessions; and they accuse him of trying to make a dicker with England to sell out the country. We want that picture done and paid for before there's any row."
In the great patio of Casa Morena, the president caused to be stretched a huge canvas. Under this White set up his temporary studio. For two hours each day the great man sat to him.
White worked faithfully. But, as the work progressed, he had seasons of bitter scorn, of infinite self-contempt, of sullen gloom and sardonic gaiety. Keogh, with the patience of a great general, soothed, coaxed, argued—kept him at the picture.
At the end of a month White announced that the picture was completed—Jupiter, Washington, angels, clouds, cannon and all. His face was pale and his mouth drawn straight when he told Keogh. He said the president was much pleased with it. It was to be hung in the National Gallery of Statesmen and Heroes. The artist had been requested to return to Casa Morena on the following day to receive payment. At the appointed time he left the hotel, silent under his friend's joyful talk of their success.
An hour later he walked into the room where Keogh was waiting, threw his hat on the floor, and sat upon the table.
"Billy," he said, in strained and labouring tones, "I've a little money out West in a small business that my brother is running. It's what I've been living on while I've been studying art. I'll draw out my share and pay you back what you've lost on this scheme."
"Lost!" exclaimed Keogh, jumping up. "Didn't you get paid for the picture?"
"Yes, I got paid," said White. "But just now there isn't any picture, and there isn't any pay. If you care to hear about it, here are the edifying details. The president and I were looking at the painting. His secretary brought a bank draft on New York for ten thousand dollars and handed it to me. The moment I touched it I went wild. I tore it into little pieces and threw them on the floor. A workman was repainting the pillars inside the patio. A bucket of his paint happened to be convenient. I picked up his brush and slapped a quart of blue paint all over that ten-thousand-dollar nightmare. I bowed, and walked out. The president didn't move or speak. That was one time he was taken by surprise. It's tough on you, Billy, but I couldn't help it."
There seemed to be excitement in Coralio. Outside there was a confused, rising murmur pierced by high-pitched cries. "Bajo el traidor—Muerte el traidor!" were the words they seemed to form.
"Listen to that!" exclaimed White, bitterly: "I know that much Spanish. They're shouting, 'Down with the traitor!' I heard them before. I felt that they meant me. I was a traitor to Art. The picture had to go."
"'Down with the blank fool' would have suited your case better," said Keogh, with fiery emphasis. "You tear up ten thousand dollars like an old rag because the way you've spread on five dollars' worth of paint hurts your conscience. Next time I pick a side-partner in a scheme the man has got to go before a notary and swear he never even heard the word 'ideal' mentioned."
Keogh strode from the room, white-hot. White paid little attention to his resentment. The scorn of Billy Keogh seemed a trifling thing beside the greater self-scorn he had escaped.
In Coralio the excitement waxed. An outburst was imminent. The cause of this demonstration of displeasure was the presence in the town of a big, pink-cheeked Englishman, who, it was said, was an agent of his government come to clinch the bargain by which the president placed his people in the hands of a foreign power. It was charged that not only had he given away priceless concessions, but that the public debt was to be transferred into the hands of the English, and the custom-houses turned over to them as a guarantee. The long-enduring people had determined to make their protest felt.
On that night, in Coralio and in other towns, their ire found vent. Yelling mobs, mercurial but dangerous, roamed the streets. They overthrew the great bronze statue of the president that stood in the centre of the plaza, and hacked it to shapeless pieces. They tore from public buildings the tablets set there proclaiming the glory of the "Illustrious Liberator." His pictures in the government offices were demolished. The mobs even attacked the Casa Morena, but were driven away by the military, which remained faithful to the executive. All the night terror reigned.
The greatness of Losada was shown by the fact that by noon the next day order was restored, and he was still absolute. He issued proclamations denying positively that any negotiations of any kind had been entered into with England. Sir Stafford Vaughn, the pink-cheeked Englishman, also declared in placards and in public print that his presence there had no international significance. He was a traveller without guile. In fact (so he stated), he had not even spoken with the president or been in his presence since his arrival.
During this disturbance, White was preparing for his homeward voyage in the steamship that was to sail within two or three days. About noon, Keogh, the restless, took his camera out with the hope of speeding the lagging hours. The town was now as quiet as if peace had never departed from her perch on the red-tiled roofs.
About the middle of the afternoon, Keogh hurried back to the hotel with something decidedly special in his air. He retired to the little room where he developed his pictures.
Later on he came out to White on the balcony, with a luminous, grim, predatory smile on his face.
"Do you know what that is?" he asked, holding up a 4 × 5 photograph mounted on cardboard.
"Snap-shot of a señorita sitting in the sand—alliteration unintentional," guessed White, lazily.
"Wrong," said Keogh with shining eyes. "It's a slung-shot. It's a can of dynamite. It's a gold mine. It's a sight-draft on your president man for twenty thousand dollars—yes, sir—twenty thousand this time, and no spoiling the picture. No ethics of art in the way. Art! You with your smelly little tubes! I've got you skinned to death with a kodak. Take a look at that."
White took the picture in his hand, and gave a long whistle.
"Jove!" he exclaimed, "but wouldn't that stir up a row in town if you let it be seen. How in the world did you get it, Billy?"
"You know that high wall around the president man's back garden? I was up there trying to get a bird's-eye of the town. I happened to notice a chink in the wall where a stone and a lot of plaster had slid out. Thinks I, I'll take a peep through to see how Mr. President's cabbages are growing. The first thing I saw was him and this Sir Englishman sitting at a little table about twenty feet away. They had the table all spread over with documents, and they were hobnobbing over them as thick as two pirates. 'Twas a nice corner of the garden, all private and shady with palms and orange trees, and they had a pail of champagne set by handy in the grass. I knew then was the time for me to make my big hit in Art. So I raised the machine up to the crack, and pressed the button. Just as I did so them old boys shook hands on the deal—you see they took that way in the picture."
Keogh put on his coat and hat.
"What are you going to do with it?" asked White.
"Me," said Keogh in a hurt tone, "why, I'm going to tie a pink ribbon to it and hang it on the what-not, of course. I'm surprised at you. But while I'm out you just try to figure out what ginger-cake potentate would be most likely to want to buy this work of art for his private collection—just to keep it out of circulation."
The sunset was reddening the tops of the cocoanut palms when Billy Keogh came back from Casa Morena. He nodded to the artist's questioning gaze; and lay down on a cot with his hands under the back of his head.
"I saw him. He paid the money like a little man. They didn't want to let me in at first. I told 'em it was important. Yes, that president man is on the plenty-able list. He's got a beautiful business system about the way he uses his brains. All I had to do was to hold up the photograph so he could see it, and name the price. He just smiled, and walked over to a safe and got the cash. Twenty one-thousand-dollar brand-new United States Treasury notes he laid on the table, like I'd pay out a dollar and a quarter. Fine notes, too—they crackled with a sound like burning the brush off a ten-acre lot."
"Let's try the feel of one," said White, curiously. "I never saw a thousand-dollar bill." Keogh did not immediately respond.
"Carry," he said, in an absent-minded way, "you think a heap of your art, don't you?"
"More," said White, frankly, "than has been for the financial good of myself and my friends."
"I thought you were a fool the other day," went on Keogh, quietly, "and I'm not sure now that you wasn't. But if you was, so am I. I've been in some funny deals, Carry, but I've always managed to scramble fair, and match my brains and capital against the other fellow's. But when it comes to—well, when you've got the other fellow cinched, and the screws on him, and he's got to put up—why, it don't strike me as being a man's game. They've got a name for it, you know; it's—confound you, don't you understand? A fellow feels—it's something like that blamed art of yours—he—well, I tore that photograph up and laid the pieces on that stack of money and shoved the whole business back across the table. 'Excuse me, Mr. Losada,' I said, 'but I guess I've made a mistake in the price. You get the photo for nothing.' Now, Carry, you get out the pencil, and we'll do some more figuring. I'd like to save enough out of our capital for you to have some fried sausages in your joint when you get back to New York."
XV. DICKY
There is little consecutiveness along the Spanish Main. Things happen there intermittently. Even Time seems to hang his scythe daily on the branch of an orange tree while he takes a siesta and a cigarette.
After the ineffectual revolt against the administration of President Losada, the country settled again into quiet toleration of the abuses with which he had been charged. In Coralio old political enemies went arm-in-arm, lightly eschewing for the time all differences of opinion.
The failure of the art expedition did not stretch the cat-footed Keogh upon his back. The ups and downs of Fortune made smooth travelling for his nimble steps. His blue pencil stub was at work again before the smoke of the steamer on which White sailed had cleared away from the horizon. He had but to speak a word to Geddie to find his credit negotiable for whatever goods he wanted from the store of Brannigan & Company. On the same day on which White arrived in New York Keogh, at the rear of a train of five pack mules loaded with hardware and cutlery, set his face toward the grim, interior mountains. There the Indian tribes wash gold dust from the auriferous streams; and when a market is brought to them trading is brisk and muy bueno in the Cordilleras.
In Coralio Time folded his wings and paced wearily along his drowsy path. They who had most cheered the torpid hours were gone. Clancy had sailed on a Spanish barque for Colon, contemplating a cut across the isthmus and then a further voyage to end at Calao, where the fighting was said to be on. Geddie, whose quiet and genial nature had once served to mitigate the frequent dull reaction of lotus eating, was now a home-man, happy with his bright orchid, Paula, and never even dreaming of or regretting the unsolved, sealed and monogramed Bottle whose contents, now inconsiderable, were held safely in the keeping of the sea.
Well may the Walrus, most discerning and eclectic of beasts, place sealing-wax midway on his programme of topics that fall pertinent and diverting upon the ear.
Atwood was gone—he of the hospitable back porch and ingenuous cunning. Dr. Gregg, with his trepanning story smouldering within him, was a whiskered volcano, always showing signs of imminent eruption, and was not to be considered in the ranks of those who might contribute to the amelioration of ennui. The new consul's note chimed with the sad sea waves and the violent tropical greens—he had not a bar of Scheherezade or of the Round Table in his lute. Goodwin was employed with large projects: what time he was loosed from them found him at his home, where he loved to be. Therefore it will be seen that there was a dearth of fellowship and entertainment among the foreign contingent of Coralio.
And then Dicky Maloney dropped down from the clouds upon the town, and amused it.
Nobody knew where Dicky Maloney hailed from or how he reached Coralio. He appeared there one day; and that was all. He afterward said that he came on the fruit steamer Thor; but an inspection of the Thor's passenger list of that date was found to be Maloneyless. Curiosity, however, soon perished; and Dicky took his place among the odd fish cast up by the Caribbean.
He was an active, devil-may-care, rollicking fellow with an engaging gray eye, the most irresistible grin, a rather dark or much sunburned complexion, and a head of the fieriest red hair ever seen in that country. Speaking the Spanish language as well as he spoke English, and seeming always to have plenty of silver in his pockets, it was not long before he was a welcome companion whithersoever he went. He had an extreme fondness for vino blanco, and gained the reputation of being able to drink more of it than any three men in town. Everybody called him "Dicky"; everybody cheered up at the sight of him—especially the natives, to whom his marvellous red hair and his free-and-easy style were a constant delight and envy. Wherever you went in the town you would soon see Dicky or hear his genial laugh, and find around him a group of admirers who appreciated him both for his good nature and the white wine he was always so ready to buy.
A considerable amount of speculation was had concerning the object of his sojourn there, until one day he silenced this by opening a small shop for the sale of tobacco, dulces and the handiwork of the interior Indians—fibre-and-silk-woven goods, deerskin zapatos and basketwork of tule reeds. Even then he did not change his habits; for he was drinking and playing cards half the day and night with the comandante, the collector of customs, the Jefe Politico and other gay dogs among the native officials.
One day Dicky saw Pasa, the daughter of Madama Ortiz, sitting in the side-door of the Hotel de los Estranjeros. He stopped in his tracks, still, for the first time in Coralio; and then he sped, swift as a deer, to find Vasquez, a gilded native youth, to present him.
The young men had named Pasa "La Santita Naranjadita." Naranjadita is a Spanish word for a certain colour that you must go to more trouble to describe in English. By saying "The little saint, tinted the most beautiful-delicate-slightly-orange-golden," you will approximate the description of Madama Ortiz's daughter.
La Madama Ortiz sold rum in addition to other liquors. Now, you must know that the rum expiates whatever opprobrium attends upon the other commodities. For rum-making, mind you, is a government monopoly; and to keep a government dispensary assures respectability if not preëminence. Moreover, the saddest of precisians could find no fault with the conduct of the shop. Customers drank there in the lowest of spirits and fearsomely, as in the shadow of the dead; for Madama's ancient and vaunted lineage counteracted even the rum's behest to be merry. For, was she not of the Iglesias, who landed with Pizarro? And had not her deceased husband been comisionado de caminos y puentes for the district?
In the evenings Pasa sat by the window in the room next to the one where they drank, and strummed dreamily upon her guitar. And then, by twos and threes, would come visiting young caballeros and occupy the prim line of chairs set against the wall of this room. They were there to besiege the heart of "La Santita." Their method (which is not proof against intelligent competition) consisted of expanding the chest, looking valorous, and consuming a gross or two of cigarettes. Even saints delicately oranged prefer to be wooed differently.
Doña Pasa would tide over the vast chasms of nicotinized silence with music from her guitar, while she wondered if the romances she had read about gallant and more—more contiguous cavaliers were all lies. At somewhat regular intervals Madama would glide in from the dispensary with a sort of drought-suggesting gleam in her eye, and there would be a rustling of stiffly-starched white trousers as one of the caballeros would propose an adjournment to the bar.
That Dicky Maloney would, sooner or later, explore this field was a thing to be foreseen. There were few doors in Coralio into which his red head had not been poked.
In an incredibly short space of time after his first sight of her he was there, seated close beside her rocking chair. There were no back-against-the-wall poses in Dicky's theory of wooing. His plan of subjection was an attack at close range. To carry the fortress with one concentrated, ardent, eloquent, irresistible escalade—that was Dicky's way.
Pasa was descended from the proudest Spanish families in the country. Moreover, she had had unusual advantages. Two years in a New Orleans school had elevated her ambitions and fitted her for a fate above the ordinary maidens of her native land. And yet here she succumbed to the first red-haired scamp with a glib tongue and a charming smile that came along and courted her properly.
Very soon Dicky took her to the little church on the corner of the plaza, and "Mrs. Maloney" was added to her string of distinguished names.
And it was her fate to sit, with her patient, saintly eyes and figure like a bisque Psyche, behind the sequestered counter of the little shop, while Dicky drank and philandered with his frivolous acquaintances.
The women, with their naturally fine instinct, saw a chance for vivisection, and delicately taunted her with his habits. She turned upon them in a beautiful, steady blaze of sorrowful contempt.
"You meat-cows," she said, in her level, crystal-clear tones; "you know nothing of a man. Your men are maromeros. They are fit only to roll cigarettes in the shade until the sun strikes and shrivels them up. They drone in your hammocks and you comb their hair and feed them with fresh fruit. My man is of no such blood. Let him drink of the wine. When he has taken sufficient of it to drown one of your flaccitos he will come home to me more of a man than one thousand of your pobrecitos. My hair he smooths and braids; to me he sings; he himself removes my zapatos, and there, there, upon each instep leaves a kiss. He holds— Oh, you will never understand! Blind ones who have never known a man."
Sometimes mysterious things happened at night about Dicky's shop. While the front of it was dark, in the little room back of it Dicky and a few of his friends would sit about a table carrying on some kind of very quiet negocios until quite late. Finally he would let them out the front door very carefully, and go upstairs to his little saint. These visitors were generally conspirator-like men with dark clothes and hats. Of course, these dark doings were noticed after a while, and talked about.
Dicky seemed to care nothing at all for the society of the alien residents of the town. He avoided Goodwin, and his skilful escape from the trepanning story of Dr. Gregg is still referred to, in Coralio, as a masterpiece of lightning diplomacy.
Many letters arrived, addressed to "Mr. Dicky Maloney," or "Señor Dickee Maloney," to the considerable pride of Pasa. That so many people should desire to write to him only confirmed her own suspicion that the light from his red head shone around the world. As to their contents she never felt curiosity. There was a wife for you!
The one mistake Dicky made in Coralio was to run out of money at the wrong time. Where his money came from was a puzzle, for the sales of his shop were next to nothing, but that source failed, and at a peculiarly unfortunate time. It was when the comandante, Don Señor el Coronel Encarnacion Rios, looked upon the little saint seated in the shop and felt his heart go pitapat.
The comandante, who was versed in all the intricate arts of gallantry, first delicately hinted at his sentiments by donning his dress uniform and strutting up and down fiercely before her window. Pasa, glancing demurely with her saintly eyes, instantly perceived his resemblance to her parrot, Chichi, and was diverted to the extent of a smile. The comandante saw the smile, which was not intended for him. Convinced of an impression made, he entered the shop, confidently, and advanced to open compliment. Pasa froze; he pranced; she flamed royally; he was charmed to injudicious persistence; she commanded him to leave the shop; he tried to capture her hand,—and Dicky entered, smiling broadly, full of white wine and the devil.
He spent five minutes in punishing the comandante scientifically and carefully, so that the pain might be prolonged as far as possible. At the end of that time he pitched the rash wooer out the door upon the stones of the street, senseless.
A barefooted policeman who had been watching the affair from across the street blew a whistle. A squad of four soldiers came running from the cuartel around the corner. When they saw that the offender was Dicky, they stopped, and blew more whistles, which brought out reënforcements of eight. Deeming the odds against them sufficiently reduced, the military advanced upon the disturber.
Dicky, being thoroughly imbued with the martial spirit, stooped and drew the comandante's sword, which was girded about him, and charged his foe. He chased the standing army four squares, playfully prodding its squealing rear and hacking at its ginger-coloured heels.
But he was not so successful with the civic authorities. Six muscular, nimble policemen overpowered him and conveyed him, triumphantly but warily, to jail. "El Diablo Colorado" they dubbed him, and derided the military for its defeat.
Dicky, with the rest of the prisoners, could look out through the barred door at the grass of the little plaza, at a row of orange trees and the red tile roofs and 'dobe walls of a line of insignificant stores.
At sunset along a path across this plaza came a melancholy procession of sad-faced women bearing plantains, cassaba, bread and fruit—each coming with food to some wretch behind those bars to whom she still clung and furnished the means of life. Twice a day—morning and evening—they were permitted to come. Water was furnished to her compulsory guests by the republic, but no food.
That evening Dicky's name was called by the sentry, and he stepped before the bars of the door. There stood his little saint, a black mantilla draped about her head and shoulders, her face like glorified melancholy, her clear eyes gazing longingly at him as if they might draw him between the bars to her. She brought a chicken, some oranges, dulces and a loaf of white bread. A soldier inspected the food, and passed it in to Dicky. Pasa spoke calmly, as she always did, briefly, in her thrilling, flute-like tones. "Angel of my life," she said, "let it not be long that thou art away from me. Thou knowest that life is not a thing to be endured with thou not at my side. Tell me if I can do aught in this matter. If not, I will wait—a little while. I come again in the morning."
Dicky, with his shoes removed so as not to disturb his fellow prisoners, tramped the floor of the jail half the night condemning his lack of money and the cause of it—whatever that might have been. He knew very well that money would have bought his release at once.
For two days succeeding Pasa came at the appointed times and brought him food. He eagerly inquired each time if a letter or package had come for him, and she mournfully shook her head.
On the morning of the third day she brought only a small loaf of bread. There were dark circles under her eyes. She seemed as calm as ever.
"By jingo," said Dicky, who seemed to speak in English or Spanish as the whim seized him, "this is dry provender, muchachita. Is this the best you can dig up for a fellow?"
Pasa looked at him as a mother looks at a beloved but capricious babe.
"Think better of it," she said, in a low voice; "since for the next meal there will be nothing. The last centavo is spent." She pressed closer against the grating.
"Sell the goods in the shop—take anything for them."
"Have I not tried? Did I not offer them for one-tenth their cost? Not even one peso would any one give. There is not one real in this town to assist Dickee Malonee."
Dick clenched his teeth grimly. "That's the comandante," he growled. "He's responsible for that sentiment. Wait, oh, wait till the cards are all out."
Pasa lowered her voice to almost a whisper. "And, listen, heart of my heart," she said, "I have endeavoured to be brave, but I cannot live without thee. Three days now—"
Dicky caught a faint gleam of steel from the folds of her mantilla. For once she looked in his face and saw it without a smile, stern, menacing and purposeful. Then he suddenly raised his hand and his smile came back like a gleam of sunshine. The hoarse signal of an incoming steamer's siren sounded in the harbour. Dicky called to the sentry who was pacing before the door: "What steamer comes?"
"The Catarina."
"Of the Vesuvius line?"
"Without doubt, of that line."
"Go you, picarilla," said Dicky joyously to Pasa, "to the American consul. Tell him I wish to speak with him. See that he comes at once. And look you! let me see a different look in those eyes, for I promise your head shall rest upon this arm to-night."
It was an hour before the consul came. He held his green umbrella under his arm, and mopped his forehead impatiently.
"Now, see here, Maloney," he began, captiously, "you fellows seem to think you can cut up any kind of row, and expect me to pull you out of it. I'm neither the War Department nor a gold mine. This country has its laws, you know, and there's one against pounding the senses out of the regular army. You Irish are forever getting into trouble. I don't see what I can do. Anything like tobacco, now, to make you comfortable—or newspapers—"
"Son of Eli," interrupted Dicky, gravely, "you haven't changed an iota. That is almost a duplicate of the speech you made when old Koen's donkeys and geese got into the chapel loft, and the culprits wanted to hide in your room."
"Oh, heavens!" exclaimed the consul, hurriedly adjusting his spectacles. "Are you a Yale man, too? Were you in that crowd? I don't seem to remember any one with red—any one named Maloney. Such a lot of college men seem to have misused their advantages. One of the best mathematicians of the class of '91 is selling lottery tickets in Belize. A Cornell man dropped off here last month. He was second steward on a guano boat. I'll write to the department if you like, Maloney. Or if there's any tobacco, or newspa—"
"There's nothing," interrupted Dicky, shortly, "but this. You go tell the captain of the Catarina that Dicky Maloney wants to see him as soon as he can conveniently come. Tell him where I am. Hurry. That's all."
The consul, glad to be let off so easily, hurried away. The captain of the Catarina, a stout man, Sicilian born, soon appeared, shoving, with little ceremony, through the guards to the jail door. The Vesuvius Fruit Company had a habit of doing things that way in Anchuria.
"I am exceedingly sorry—exceedingly sorry," said the captain, "to see this occur. I place myself at your service, Mr. Maloney. What you need shall be furnished. Whatever you say shall be done."
Dicky looked at him unsmilingly. His red hair could not detract from his attitude of severe dignity as he stood, tall and calm, with his now grim mouth forming a horizontal line.
"Captain De Lucco, I believe I still have funds in the hands of your company—ample and personal funds. I ordered a remittance last week. The money has not arrived. You know what is needed in this game. Money and money and more money. Why has it not been sent?"
"By the Cristobal," replied De Lucco, gesticulating, "it was despatched. Where is the Cristobal? Off Cape Antonio
